

Dwarkesh opens by noting Machiavelli wrote and dedicated The Prince to Lorenzo di Piero de' Medici in 1513.
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Referenced as 'The Discourses' regarding Machiavelli's justification of checks and balances, later named in full.
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Cited as saying there was never a better time for humanity than the era of the five good emperors.
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Discussed for placing Emperor Trajan in Paradiso, and later for damning Florentines and lovers Paolo and Francesca in Inferno.
Get it on Amazon →Mentioned among Machiavelli's publicly circulated works, unlike the secretive Prince.
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Used as an analogy for a text that drifted in obscurity before suddenly becoming relevant centuries later.
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Its publication is credited with reviving interest in Machiavelli as scholars sought to refute Hobbes.
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Cited to illustrate a utilitarian, separation-of-church-and-state view of religion's civic usefulness.
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Named as one of the few Renaissance works later historians treated as genuinely original.
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Used as a contrast: The Prince shouldn't be shelved next to it since it's about keeping power, not self-advancement.
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